1979

Isaac Asimov's Science Fiction Magazine, November 1979, Vol. 3/No. 11

     -     On The Midwatch by Keith Minnion; 1/ink

 

1984

Amazing Stories, January, Volume 57, Number 5

    -    Yawn by Wayne Wightman; 1/ink

 

Amazing Stories, September, Volume 58, Number 3

    -    The Mayan Variation by Gardner Dozois; 1/ink

 

1991

 Weird Tales, Fall 1991, Volume 53/Number 1

-         Broxa by William F. Nolan; 5/ink

 

Weird Tales, Winter 1991, Volume 53/Number 2

-         The Cocoons by Thomas Ligotti; 1/ink

 

1992

 Bizarre Bazaar 92-Volume-1; TAL Publications

-         Stinkin’ Rudy by Elizabeth Massie; 3/ink

-         Soft Luggage by D.F. Lewis; 1/ink

-         Bargain at Binsley’s by Elizabeth Massie; 2/pencil

-         Dream State by Lisa Laurencot; 2/ink

 

Stephen by Elizabeth Massie; chapbook, TAL Publications; 1/ink, 3/pencil

 

Cemetery Dance, Fall 1992; Volume 4/Number 4

-         Shell by Adam Corbin Fusco; 2/pencil

-         Hitchin’ Through The Wall by Augustine Funnell; 1/ink

-         The Washingtonians by Bentley Little; 2/pencil

 

 

1993

 Bizarre Bazaar 93-Volume 2; TAL Publications

-         Squabble by D.F. Lewis; 1/ink

-         The Hawk’s Road by Julie R. Good; 1/pencil

-         Lock Her Room by Elizabeth Massie; 1/ink

 

Cemetery Dance, Spring 1993, Volume 5/Number 2

-         Damned If I Do by Douglas Clegg; 2/pencil

-         The Pig Man by Augustine Funnell; 2/pencil

-         The Liar’s Mouth by Darrell Schweitzer; 2/pencil

 

Weird Tales, Summer 1993, #307

-         Demons of the Upper Air by Fritz Leiber; 2/ink

 

Deathrealm, Summer 1993, #18

-         Burn by Rex Miller and Jessica Horsting; 1/ink

 

Cemetery Dance, Fall 1993; Volume 5/Number ¾

-         Rustle by Peter Crowther; 2/watercolor

-         Mr. God by Thomas Tessier; 2/pencil

-         Bait by Ray Garton; 1/pencil

 

Deathrealm, Fall 1993, #19

-         Cells by Jeffrey Thomas; 1/pencil

 

Thrillers, edited by Richard Chizmar, CD Publications; 12/pencil

 

Deathrealm, Winter 1993; #20

-         The Mirror by Denise Dumars; 1/pencil

 

Cemetery Dance, Winter 1993, Volume 5/Number 1

-         Hope by Steve Bevan; 2/pencil

-         The Flood by John Maclay; 1/pencil & ink

-         Those Kids Again by Wayne Allen Sallee and Norman Partridge; 1/pencil

-         Meet the Beetles by J. Charles Caruso; 2/pencil

-         Equal Opportunity by Edward Lee; 1/ink

-         The Mask of Truth Has Many Holes by Lionel Fenn; 1/ink & 2/pencil

 

 

1994

 Bizarre Bazaar 94, Volume 3; TAL Publications

-         Neon Hilt’s Brush With Fame by Nancy Holder; 2-pencil

-         Indecent Proponent by J.N. Williamson; 2-pencil

 

Cemetery Dance, Winter 1994, Volume 6/Number 1

-         The Right Thing by Gary Raisor; 2/watercolor

-         The Rendering Man by Douglas Clegg; 2/pencil

-         Weight by Dominick Cancilla; 1/pencil

 

The Scream Factory, Spring 1994, #13

-         The Mechanical Boy by Tom Moneleone; 2/pencil

 

Deathrealm, Spring 1994, #21; Cover, acrylic

 

Cemetery Dance, Spring 1994, Volume 6/Number 2

-         The Box by Hank Ketchum; 1/pencil

-         Desert Pickup by Richard Laymon; 1/ink

-         Three Silent Things by John F.D. Taff; 1/chalk

-         Fyodor’s Law by William F. Nolan; 1/ink

-         Subtext by Gary A. Braunbeck; 2/pencil

 

Expanse, Winter/Spring 1994, #2

-         The Disease by David J. Adams; 1/pencil

 

Expanse, Summer 1994, #3

-         The Second Experiment by J. Brian Clarke; 3/pencil

-         Hypnosis by Peter Huston; 1/pencil

 

The Scream Factory, Summer 1994, #14

-         A Little Known Side of Elvis by Dennis Etchison; 1/pencil

 

Cemetery Dance, Summer 1994, Volume 6/Number 3

-         Cover

-         Tyrannosaurus by Norman Partridge; 1/ink

-         The Cabinetmaker’s Wife by Douglas Clegg; 2/pencil

-         Reggie by Elizabeth Engstrom; 1/pencil

-         Vacation by Matthew Costello; 2/watercolor

-         Salome by Michael Shea; 1/pencil

-         The Man Who Liked Poe by Dan Perez; 1/watercolor

 

The Scream Factory, Autumn 1994, #15

-         More Than Should Be Asked by Steve Rasnic & Melanie Tem; 1/pencil

 

 

1995

 Cemetery Dance, Winter 1995, Volume 6/Number 4

-         The Rifle by Jack Ketchum; 1/pencil

-         Eater by Peter Crowther; 2/pencil

-         When The Silence Gets Too Loud by Brian Hodge; 1/pencil

-         Garden of Eden by Al Sarrantonio; 1/pencil

-         Animal Rites by Jay Bonansinga; 1-pencil

-         The Dungeon Renewal Plan by David Niall Wilson; 1/pencil

-         Get Off My Cloud by J. Charles Caruso; 1/pencil

 

Pieces of Hate by Ray Garton, CD Publications; cover/acrylic

 

Deathrealm, Spring 1995, #23

-         Eclipse by Graham Watkins; 1/ink

 

Pirate Writings, Spring 1995

-         Returning by Ian R. MacLeod; 1/pencil, 1/ink

-         The Door To The Rainmaker’s Lodge by Jessica A. Salmonson; 1/pencil, 1/ink

 

Deathrealm, Summer 1995, #24

-         Back To The Land by Lawrence Watt-Evans; 1/pencil

 

Pirate Writings, Summer 1995

-         Cage of the Heart by Ardath Mayhar; 2/pencil

-         Lair of the Beast by Bruce Boston; 2/pencil

 

Pirate Writings, Fall 1995

-         Point Vestal by Jack Cady; 1/pencil, 1/ink

-         Due Process by Algis Budrys; 1/pencil, 1/ink

 

Pentacle by Tom Piccirilli, Pirate Writings Publishing; 1/ink & 4/pencil

 

 

1996

 No One Noticed The Cat by Anne McCaffrey, Wildside Press; 4/ink

 

Pirate Writings, Spring 1996, #1

-         Memories of Always by Brenda Adams; 1/pencil, 1/ink

 

Cemetery Dance, Spring 1996, Volume 7/ Number 1

-         The Man on the Third Floor by Ed Gorman; 1/pencil

-         How It Happens by Stephen R. George; 1/pencil

-         Five To Get Ready, Two To Go by Hugh B. Cave; 1/pencil

-         The Logan Fragments, by William F. Nolan; 1/pencil

-         The Phone Call by Roman Ranieri; 1/pencil

 

Pirate Writings, Spring 1996, #2

-         Call Forth The Dead by J.L. Hanna; 1/pencil, 1/ink

 

Cemetery Dance, Summer 1996, Volume 7/Number 2

-         Silhouette by Mark Stephen Rainey; 1/pencil

-         Adam by Darrell Schweitzer; 1/pencil

-         Exit 85 by Ronald Kelly; 1/pencil

-         Famous Blue Raincoat by Ed Gorman; 1/pencil

-         Empty Walls by Elizabeth Engstrom; 1/pencil

-         Devotion by Tom Piccirilli; 1/pencil

 

Night Terrors, June 1996, #1

-         Killer by Keith Minnion; 1/ink

 

Worlds of Fantasy & Horror, Summer 1996, #3

-         Father Vadim’s Angel by Donna Farley; 1/ink

 

Terra Incognita, Winter 1996, #1

-         Ms. Peach Makes a Run For Coffee by L. Timmel Duchamp; 1/pencil

-         Judgementality by Kandis Elliot; 1/pencil

 

Worlds of Fantasy & Horror, Winter 1996, #4

-         A Day on the Bog by Lord Dunsany; 1/ink

 

 

1997

 Night Terrors, April 1997, #3

-         Cover/ink

-         Dead End by Keith Minnion; 1/pencil

 

Cemetery Dance, Fall 1997, Volume 8/Number 2

-         Cover/acrylic

The Dog Syndrome by Tom Piccirilli, Marietta Publishing; 1/ink

 

Blood Brothers by Richard Chizmar, Subterranean Press chapbook; cover/ink

 

The Gratitude of Kings by Marion Zimmer Bradley, Wildside Press; 4/ink & 1/pencil

 

 

1998

 Night Terrors, June 1998, #6; cover/ink

 

Terra Incognita, Summer 1998, #3

-         Angela by Judy Klass; 1/pencil, 1/ink

 

Flesh & Blood #3; cover/pencil

 

The Wilds by Richard Laymon, CD Publications Novella #1; cover/acrylic, 8/ink

 

 

1999

 The Edge #5, cover/ink

 

Ella & The Canary Prince by Michael Cadnum, Subterranean Press chapbook; 3/ink

 

Flesh & Blood #5

-         Paper Children by David L. Felts; 1/ink

 

Rot by Gary Brandner, CD Publications; 1/ink, 4/pencil

 

Terra Incognita, Winter 1999

-         In The Second Person by Sally Caves; 3/pencil, 1/ink

-         The Child Ephemeral by Terry McGarry; 5/pencil

 

Down To Sleep by Greg Gifune, Goddess of the Bay Publications; 1/pencil

 

 

2000

The Boar by Joe R. Lansdale, Subterranean Press; 6/ink

 

Cemetery Dance #33

-         The Ballyhooly Boy by Graham Masterton; 1-pencil

-         Runaway by Christopher Golden; 1/pencil

-         The Beach by Tim Lebbon; 1/pencil

-         FILS by John Helfers; 1/pencil

 

Demons, Freaks & Other Abnormalities by Michael Laimo, Delirium Books; cover/ink, 2/ink

 

Within The Darkness, Golden Eyes by Michael Laimo, Flesh & Blood Press; cover/ink

 

The Edge #8; cover/ink

 

Flesh & Blood #6

-         Hexagons of White by Kristopher Monroe; 1/ink

 

Autumn Phantoms by Wendy Rathbone, Flesh & Blood Press; 1/ink

 

The Day The Decorators Came by Neal Barrett, Jr., Subterranean Press chapbook; cover/ink

 

Purity by Douglas Clegg, CD Publications Novella #8; 4/pencil

 

Weird Tales, Fall 2000, #321

-         Three-Legged Dog by Ian Watson; 1/ink

 

 

2001

Together Again by Michael Cadnum, Subterranean Press chapbook; 4/ink & cover design

 

Cemetery Dance #33

-         Violets by Al Sarrantonio; 1/pencil

-         The Living Lake by Julie Good; 1/pencil

-         Whose Puppets Best and Worse Are We? By David B. Silva; 1/pencil

 

Cemetery Dance #34

-         The Move by Bentley Little; 1/pencil

-         My Victim by John Shirley; 1/pencil

-         Pickup On Highway One by Richard Laymon; 1/pencil

-         It’s For You by Keith Minnion; 1/pencil

-         Got To Kill Them All by Dennis Etchison; 1/pencil

 

Weird Tales, Spring 2001, #323

-         Unicorn Visions by Jennifer Busick; 1/ink

 

Flesh & Blood #7

-         Oliver’s Room by K.R. McGee; 1/ink

 

Heretics by Greg Gifune, Delirium Books (H/C & TPB), cover/acrylic

 

Flesh & Blood #8

-         The Jane That House Built by Tracy Majka; 1/ink

 

Tell Me A Tale by Richard Laymon, CD Publications chapbook; 1/ink & cover design

 

The Edge #9, cover/ink

 

The Edge #10, cover/ink

 

Cemetery Dance #36

-         Kissing at Shadows by Tim Lebbon; 1/pencil

-         Dead Devil in the Freezer by Nancy Holder; 1/pencil

-         Catcall by Steve Vernon; 1/pencil

 

October Dreams, edited by Richard Chizmar & Bob Morrish, CD Publications; 3/ink

 

Bad News, edited by Richard Laymon, CD Publications; 6/pencil  & frontis painting for the Lettered edition/acrylic

 

Bonnie Winter by Graham Masterton, CD Publications novella #10; cover/acrylic & 4/pencil

 

The Edge #11; cover/ink

 

Deadly Nightshade by Jacie Ragan, Flesh & Blood Press; cover/ink

 

Cemetery Dance #37

-         Genetically Predisposed by Elizabeth Engstrom; 1/pencil

-         A Door Opens and Closes by Conrad Williams; 1/ink

-         Cleaning Compulsion by Gary Raisor; 1/pencil

 

Darkness Demands by Simon Clark, CD Publications; frontis for the lettered edition/acrylic

 

Crime Spree, edited by Sandy DeLuca & Trey R. Barker, December Girl Press; cover/acrylic

 

 

2002

 Weird Tales, Spring 2002, #327

-         The Cat, The Ladder and the Man Mo Shrine by Tony Richards; 1/ink

 

Cemetery Dance #40

-         Gran’mama by Gary Raisor; 1/pencil

-         The Trespasser by Will Ludwigsen; 1/pencil

 

Cemetery Dance #41

-         Indian Rain by Chris Bevard; 1/pencil

 

The Edge #12, cover/ink

 

The Edge #13, cover/ink

 

The Edge #14, cover/ink

 

City Slab, Volume 1/Issue 2

       -     DeFortuna by Brian Hodge; 1/ink

 

Rage by Steve Gerlach, Wild Roses Productions; cover/acrylic

 

Flesh & Blood #10; 6/ink

 

Weird Tales, Winter 2002, #327

-         Small Town News by James Van Pelt; 1/ink

 

The Psycho-Hunter’s Casebook by Kurt Newton, Dark Vespers Publishing; cover/ink

 

A Halloween Harvest by Paul Melniczek, Flesh & Blood Press; cover/ink

 

Her Child Arises by Tom Piccirelli, Wild Roses chapbook; cover/pencil

 

Holy Rollers by J. Newman, Lone Wolf Audio; 3/acrylic

 

Until She Sleeps by Tim Lebbon, CD Publications; frontis of lettered/acrylic

 

Cast In Dark Waters by Ed Gorman and Tom Piccirilli, CD Publications novella #11; cover/acrylic, 1/ink & 4/pencil

 

 

2003

 Cemetery Dance #42

-         Smoke by Stanley Wiater; 1/pencil

-         Past Tense by Patricia Lee Macomber; 1/pencil

 

Weird Tales, Spring 2003, #331

-         My Name is Nancy Wood by Gene Wolfe; 1/ink

 

The Horror Express #1

-         Within the Walls by John F. Griffiths; 1/pencil

-         Dark Eyes by James R. Cain; 1/pencil

-         Underbed by Graham Masterton; 1/pencil

 

By Bizarre Hands by Joe R. Lansdale, Lone Wolf Audio; 4/acrylic

 

Weird Tales, Summer 2003, #332

-         Cover/acrylic

-         The Assassin’s Retirement Party by Robert E. Waters; 3/ink

-         Shatter by Kelly McCullough; 2/ink

 

Cemetery Dance #45

-         To Ghosts by Jack Slay, Jr.; 1/pencil

-         Siafu by Tony Richards; 1/pencil

 

Nocturnal Echoes by Marc Shemmans, Moonlight Press; cover/acrylic & 6/pencil

 

Flesh & Blood #13; editorial page, 1/ink

 

Extremes-5, edited by Brian A. Hopkins, Lone Wolf; 3/acrylic & 20/pencil

 

Honor System by Jack Ketchum, CD Publications chapbook; 1/ink & cover design

 

The Edge # 15; cover/ink

 

The Edge #16; cover/ink

 

The Edge #17; cover/ink

 

Orangefield by Al Sarrantonio, CD Publications; 4/pencil

 

Cemetery Dance #46

-         When God Opens a Door by Tim Waggoner; 1/pencil

-         A Place in the Country by Tony Richards; 1/pencil

 

Cemetery Dance #47

-         Storm Drain by David J. Schow; 1/pencil

-         The Two Deaths by Edo van Belkom; 1/pencil

 

Hunting Zoe by Steve Gerlach, Wild Roses Productions; cover/acrylic

 

The Last Motel by Brett McBean, Wild Roses Productions; cover/acrylic

 

 

2004

 Weird Trails #1, Wildside Press

-         New Gods For Old by P.D. Cacek; 1/pencil & 1/ink

 

H.P. Lovecraft’s Magazine of Horror, Spring 2004, #1

-         In The Palace of Repose by Holly Phillips; 1/ink

 

The Horror Express, Summer 2004, #2

-         Hunger Pains by Tim Curran; 1/pencil

-         The Suicide Room byRachel Kendall; 1/pencil

-         Silent Night by Shawn Hutson; 1/pencil

 

Flesh & Blood #14

-         The Mute People by John Grover; 1/pencil

 

Cemetery Dance #50

-         Bad Weather by Dominick Cancilla; 1/pencil

-         Walkers by Norm Partridge; 1/pencil

 

The Mountains of Madness by Hugh B. Cave, CD Publications; cover/acrylic & 6/ink

 

The Edge #18; cover/ink

 

Night Creatures by Seabury Quinn, Ash-Tree Press; cover/acrylic

 

Children of Epiphany by Frances Oliver, Ash-Tree Press; cover/acrylic

 

Dark Animus February 2004, #6

-         Little Miss Wicked by Tim Curran; 1/pencil

 

Way Out There by Neal Barrett, Jr., Subterranean Press chapbook; 1/ink & cover design

 

The Last Motel by Brett McBean, Biting Dog Publications (H/C & TPB); cover/acrylic & 4/pencil

 

Weeping Mary by John Paul Allen, Biting Dog Publications; 1/ink

 

Cave of a Thousand Tales by Milt Thomas, Arkham House; cover/acrylic

 

The Devil of the Marsh by H.B. Marriott Watson, Ash-Tree Press; cover/acrylic


Subterranean Magazine #1

    - The Pain Frequency by Kealen Patrick Burke; 1/pencil; accepted and then rejected by the Publisher

 

 

2005

 Cemetery Dance #51, cover/acrylic

 

Cemetery Dance #52

-         Home Security by Tim Waggoner; 1/pencil

-         How Far We Fall From Grace by Michelle Scalise; 1/pencil

 

Cemetery Dance #53

-         Dance of the Blue Lady by Gene O’Neill; 1/pencil

 

Tinder Box Blues by Akela Cooper, Biting Dog Publications; 1/ink

 

Hard Night by Bram Eisenthal, Biting Dog Publications; 1/ink

 

Socially Awkward Moments With An Aspiring Lunatic by Jeff Strand, Biting Dog Publications; 1/ink

 

Where’s Bobo?/Glory Hole by Ray Garton, CD Publications chapbook; 1/ink, 2/pencil and cover design

 

Hallow’s Eve by Al Sarrantonio, CD Publications; 4/pencil

 

The Pumpkin Boy by Al Sarrantonio, Endeavor Press; 6/pencil

 

The Watcher By The Threshold by John Buchan, Ash-Tree Press; cover/acrylic

 

 

2006

 Weird Tales, Winter 2006

-         Set by Charles L. Harness; 1/pencil

 

Cemetery Dance #54

-         Still Life With Shattered Glass by Loren Rhoads; 1/pencil

 

The Hell Book by Jason Van Hollander, White Noise Press; 2/ink; interior graphics/digital

 

Weird Tales, March-April 2006 (#339)
    -    The Waiters by Tony Richards; 1/pencil
    -    Venice-Rome-Direttissima by Charles L. Harness, 1/ink
    -    The Flight of the Angel by Cherith Baldry; 1/pencil

 

The Passion Play and Other Ghost Stories by Antony Oldknow, Ash-Tree Press; cover/pencil

 

The Baby by Al Sarrantonio, CD Publications Signature Series #4; wrap-around cover/acrylic; 6/pencil; 30/ink

 

Ape's Face by Marion Fox, Ash-Tree Press; cover/ink

 

Weird Tales, July-August 2006 (#341)
    -    Blackwater Ghosts by Terry Sofian; 2/pencil
    -    Fourth Avenue Interlude by Richard Lupoff; 1/ink - withdrawn at author's direction

 

Cemetery Dance #55
    -    Tested by Lisa Morton; 1/pencil
    -    Help Yourself by Michael A. Arnzen & Mark McLaughlin; 1/pencil


Sinister Purposes by Gary Raisor, CD Publications; cover/acrylic & ink; frontis for lettered edition/acrylic & ink

 

Cemetery Dance #56
    -    The Delilah Party by David Nickle; 1/pencil

 

The Church of Dead Languages by James Newman and Jason Brannon; White Noise Press; cover/ink; interior graphics/digital

 

Cemetery Dance #57
    -    It Rips by Michael McBride; 1/watercolor

 

Werewolf Porno/Sex Potion #147 - Funny Stories of Scary Sex by Jeff Strand; White Noise Press; 2-Covers/pencil & digital effects; 1/pencil.

 

The Woman In Black by M.Y. Halidom, Ash-Tree Press; cover/ink & digital


 

2007

Loveless / Murder Was My Alibi by Arthur Darknell; Lonely Road Books; 18/pencil 7 X 10-1/2"

 

The Wicked by James Newman; Necessary Evil Press; cover/acrylic; 5/pencil; 5/pencil-digital; 40/ink remarques

 

Graven Image by Ray Garton; CD Publications; 6/pencil, chalk & ink

 

The Last Stand of the Great Texas Packrat by Steve Vernon; White Noise Press; Cover/ink; 1/ink; 1/pencil

 

Midlisters / Disposal / Monkey Love by Kealan Patrick Burke / Jeff Strand / John Paul Allen; Biting Dog Publications; 1-cover/acrylic & ink & digital effects; 16/pencil; 3/ink & watercolor

 

Kaddish by Whitley Strieber; Dark Delicacies; CD Publications; 1/pencil, 7 x 10"

 

The Attic Express by Alex Hamilton; Ash-Tree Press; cover/pencil, 7 x 10-1/2"

 

Smiling Faces Sometimes by Gary A. Braunbeck; White Noise Press; Cover/ink & watercolor; 1/ink, 10 x 7"; 1/pencil, 4 x 6"

 

Moonbane by Al Sarrantonio; CD Publications; 4/pencil & watercolor, 8 x 10"; 1/ink, 4 x 6"

 

Invisible Fences by Norman Prentiss; CD Publications; 4/pencil, 7 x 10-1/2"; 1-ink, 11 x 7", & 1/ink-spot illustration

 

Vampyrrhic by Simon Clark; CD Publications; 1 frontispiece/watercolor, 8-1/2 x 11-1/2"

 

Vampyrrhic Rites by Simon Clark; CD Publications; 1 frontispiece/acrylic, 8-1/2 x 11-1/2"

 

Dark Masques, CD Publications; 1 frontispiece/watercolor, 8-1/2 x 11-1/2"

 

Dark Tower Concordance, CD Publications; 1 frontispiece/acrylic, 8-1/2 x 11-1/2"

 

Serpent Girl by Ray Garton; CD Publications; 1 frontispiece/acrylic, 8-1/2 x 11-1/2"

 

Afterlife by Douglas Clegg; CD Publications; 1 frontispiece/acrylic, 8-1/2 x 11-1/2"

 

The Lost by Sarah Langan; CD Publications; cover/pencil & digital, 5-1/2 x 8-1/2" and chapbook design

 

Tanglewood by Ronald Kelly; CD Publications; cover/pencil & digital, 5-1/2 x 8-1/2" and chapbook design

 

Killing Stages by Brian Keene; CD Publications; cover/pencil & digital, 5-1/2 x 8-1/2" and chapbook design

 

2008
Frankenstein by Mary Shelley; Full Moon Press; cover and frontispiece/acrylic, 8-1/2 x 11-1/2"

 

Bone Harvest by James A. Moore, CD Publications; cover/pencil & digital, 5-1/2 x 8-1/2" and chapbook design

 

Graven Image by Ray Garton; CD Publications; frontispiece/acrylic, 8-1/2 x 11-1/2"

 

Sides by Peter Straub; CD Publications; frontispiece/acrylic, 8-1/2 x 11-1/2"

 

Shades by Brian Keene; CD Publications; frontispiece/watercolor, 8-1/2 x 11-1/2"

 

Pixeldated by A.R. Morlan; Space & Time #103; 1/pencil & digital, 5 x 8"

 

Seldom Seen In August by Kealan Patrick Burke; White Noise Press; cover and 2 interiors, pencil and ink and chapbook design

 

Kill Whitey by Brian Keene; CD Publications; endpapers/pencil, 9 x 12"

 

Moonbane by Al Sarrantonio; CD Publications; endpapers/pencil, 9 x 12"

 

Monsters by Stewart O'Nan; Lonely Road Books; cover, inside cover, signature sheet, 4 interior illustrations (all pencil), and chapbook design

 

The Most Interesting Prospect by Arthur Darknell; Lonely Road Books; cover, inside cover, signature sheet, 2 interior illustrations (all pencil) and chapbook design

 

Coffin Nails by John L. Probert; Ash-Tree Books, cover illustration/pencil, 8-1/2 x 10-1/2"

 

Fallen by David G. Barnett; Necro Publications; interior illustration/watercolor, 8-1/2 x 12"

 

Halloween Poems edited by Al Sarrantonio; CD Publications; 8/pencil interior illustrations, 8-3/4 x 11"

 

4 Stories by Tim Curran, Greg F. Gifune, Brian Keene and Norman Prentiss; CD Publications; cover illustration/ink, 4 x 4", and chapbook design

 

Halves by Brian Keene; White Noise Press; 1/pencil, 8/ink interior illustrations

 

The Map of Moments by Christopher Golden and Tim Lebbon; CD Publications; cover illustration/ink, 4 x 7", and chapbook design