1979
Isaac Asimov's Science Fiction Magazine, November 1979, Vol. 3/No. 11
- On The Midwatch by Keith Minnion; 1/ink
1984
Amazing Stories, January, Volume 57, Number 5
- Yawn by Wayne Wightman; 1/ink
Amazing Stories, September, Volume 58, Number 3
- The Mayan Variation by Gardner Dozois; 1/ink
1991
Weird Tales, Fall 1991, Volume 53/Number 1
- Broxa by William F. Nolan; 5/ink
Weird Tales, Winter 1991, Volume 53/Number 2
- The Cocoons by Thomas Ligotti; 1/ink
1992
Bizarre Bazaar 92-Volume-1; TAL Publications
- Stinkin’ Rudy by Elizabeth Massie; 3/ink
- Soft Luggage by D.F. Lewis; 1/ink
- Bargain at Binsley’s by Elizabeth Massie; 2/pencil
- Dream State by Lisa Laurencot; 2/ink
Stephen by Elizabeth Massie; chapbook, TAL Publications; 1/ink, 3/pencil
Cemetery Dance, Fall 1992; Volume 4/Number 4
- Shell by Adam Corbin Fusco; 2/pencil
- Hitchin’ Through The Wall by Augustine Funnell; 1/ink
- The Washingtonians by Bentley Little; 2/pencil
1993
Bizarre Bazaar 93-Volume 2; TAL Publications
- Squabble by D.F. Lewis; 1/ink
- The Hawk’s Road by Julie R. Good; 1/pencil
- Lock Her Room by Elizabeth Massie; 1/ink
Cemetery Dance, Spring 1993, Volume 5/Number 2
- Damned If I Do by Douglas Clegg; 2/pencil
- The Pig Man by Augustine Funnell; 2/pencil
- The Liar’s Mouth by Darrell Schweitzer; 2/pencil
Weird Tales, Summer 1993, #307
- Demons of the Upper Air by Fritz Leiber; 2/ink
Deathrealm, Summer 1993, #18
- Burn by Rex Miller and Jessica Horsting; 1/ink
Cemetery Dance, Fall 1993; Volume 5/Number ¾
- Rustle by Peter Crowther; 2/watercolor
- Mr. God by Thomas Tessier; 2/pencil
- Bait by Ray Garton; 1/pencil
Deathrealm, Fall 1993, #19
- Cells by Jeffrey Thomas; 1/pencil
Thrillers, edited by Richard Chizmar, CD Publications; 12/pencil
Deathrealm, Winter 1993; #20
- The Mirror by Denise Dumars; 1/pencil
Cemetery Dance, Winter 1993, Volume 5/Number 1
- Hope by Steve Bevan; 2/pencil
- The Flood by John Maclay; 1/pencil & ink
- Those Kids Again by Wayne Allen Sallee and Norman Partridge; 1/pencil
- Meet the Beetles by J. Charles Caruso; 2/pencil
- Equal Opportunity by Edward Lee; 1/ink
- The Mask of Truth Has Many Holes by Lionel Fenn; 1/ink & 2/pencil
1994
Bizarre Bazaar 94, Volume 3; TAL Publications
- Neon Hilt’s Brush With Fame by Nancy Holder; 2-pencil
- Indecent Proponent by J.N. Williamson; 2-pencil
Cemetery Dance, Winter 1994, Volume 6/Number 1
- The Right Thing by Gary Raisor; 2/watercolor
- The Rendering Man by Douglas Clegg; 2/pencil
- Weight by Dominick Cancilla; 1/pencil
The Scream Factory, Spring 1994, #13
- The Mechanical Boy by Tom Moneleone; 2/pencil
Deathrealm, Spring 1994, #21; Cover, acrylic
Cemetery Dance, Spring 1994, Volume 6/Number 2
- The Box by Jack Ketchum; 1/pencil
- Desert Pickup by Richard Laymon; 1/ink
- Three Silent Things by John F.D. Taff; 1/chalk
- Fyodor’s Law by William F. Nolan; 1/ink
- Subtext by Gary A. Braunbeck; 2/pencil
Expanse, Winter/Spring 1994, #2
- The Disease by David J. Adams; 1/pencil
Expanse, Summer 1994, #3
- The Second Experiment by J. Brian Clarke; 3/pencil
- Hypnosis by Peter Huston; 1/pencil
The Scream Factory, Summer 1994, #14
- A Little Known Side of Elvis by Dennis Etchison; 1/pencil
Cemetery Dance, Summer 1994, Volume 6/Number 3
- Cover
- Tyrannosaurus by Norman Partridge; 1/ink
- The Cabinetmaker’s Wife by Douglas Clegg; 2/pencil
- Reggie by Elizabeth Engstrom; 1/pencil
- Vacation by Matthew Costello; 2/watercolor
- Salome by Michael Shea; 1/pencil
- The Man Who Liked Poe by Dan Perez; 1/watercolor
The Scream Factory, Autumn 1994, #15
- More Than Should Be Asked by Steve Rasnic & Melanie Tem; 1/pencil
1995
Cemetery Dance, Winter 1995, Volume 6/Number 4
- The Rifle by Jack Ketchum; 1/pencil
- Eater by Peter Crowther; 2/pencil
- When The Silence Gets Too Loud by Brian Hodge; 1/pencil
- Garden of Eden by Al Sarrantonio; 1/pencil
- Animal Rites by Jay Bonansinga; 1-pencil
- The Dungeon Renewal Plan by David Niall Wilson; 1/pencil
- Get Off My Cloud by J. Charles Caruso; 1/pencil
Pieces of Hate by Ray Garton, CD Publications; cover/acrylic
Deathrealm, Spring 1995, #23
- Eclipse by Graham Watkins; 1/ink
Pirate Writings, Spring 1995
- Returning by Ian R. MacLeod; 1/pencil, 1/ink
- The Door To The Rainmaker’s Lodge by Jessica A. Salmonson; 1/pencil, 1/ink
Deathrealm, Summer 1995, #24
- Back To The Land by Lawrence Watt-Evans; 1/pencil
Pirate Writings, Summer 1995
- Cage of the Heart by Ardath Mayhar; 2/pencil
- Lair of the Beast by Bruce Boston; 2/pencil
Pirate Writings, Fall 1995
- Point Vestal by Jack Cady; 1/pencil, 1/ink
- Due Process by Algis Budrys; 1/pencil, 1/ink
Pentacle by Tom Piccirilli, Pirate Writings Publishing; 1/ink & 4/pencil
1996
No One Noticed The Cat by Anne McCaffrey, Wildside Press; 4/ink
Pirate Writings, Spring 1996, #1
- Memories of Always by Brenda Adams; 1/pencil, 1/ink
Cemetery Dance, Spring 1996, Volume 7/ Number 1
- The Man on the Third Floor by Ed Gorman; 1/pencil
- How It Happens by Stephen R. George; 1/pencil
- Five To Get Ready, Two To Go by Hugh B. Cave; 1/pencil
- The Logan Fragments, by William F. Nolan; 1/pencil
- The Phone Call by Roman Ranieri; 1/pencil
Pirate Writings, Spring 1996, #2
- Call Forth The Dead by J.L. Hanna; 1/pencil, 1/ink
Cemetery Dance, Summer 1996, Volume 7/Number 2
- Silhouette by Mark Stephen Rainey; 1/pencil
- Adam by Darrell Schweitzer; 1/pencil
- Exit 85 by Ronald Kelly; 1/pencil
- Famous Blue Raincoat by Ed Gorman; 1/pencil
- Empty Walls by Elizabeth Engstrom; 1/pencil
- Devotion by Tom Piccirilli; 1/pencil
Night Terrors, June 1996, #1
- Killer by Keith Minnion; 1/ink
Worlds of Fantasy & Horror, Summer 1996, #3
- Father Vadim’s Angel by Donna Farley; 1/ink
Terra Incognita, Winter 1996, #1
- Ms. Peach Makes a Run For Coffee by L. Timmel Duchamp; 1/pencil
- Judgementality by Kandis Elliot; 1/pencil
Worlds of Fantasy & Horror, Winter 1996, #4
- A Day on the Bog by Lord Dunsany; 1/ink
1997
Night Terrors, April 1997, #3
- Cover/ink
- Dead End by Keith Minnion; 1/pencil
Cemetery Dance, Fall 1997, Volume 8/Number 2
- Cover/acrylic
The Dog Syndrome by Tom Piccirilli, Marietta Publishing; 1/ink
Blood Brothers by Richard Chizmar, Subterranean Press chapbook; cover/ink
The Gratitude of Kings by Marion Zimmer Bradley, Wildside Press; 4/ink & 1/pencil
1998
Night Terrors, June 1998, #6; cover/ink
Terra Incognita, Summer 1998, #3
- Angela by Judy Klass; 1/pencil, 1/ink
Flesh & Blood #3; cover/pencil
The Wilds by Richard Laymon, CD Publications Novella #1; cover/acrylic, 8/ink
1999
The Edge #5, cover/ink
Ella & The Canary Prince by Michael Cadnum, Subterranean Press chapbook; 3/ink
Flesh & Blood #5
- Paper Children by David L. Felts; 1/ink
Rot by Gary Brandner, CD Publications; 1/ink, 4/pencil
Terra Incognita, Winter 1999
- In The Second Person by Sally Caves; 3/pencil, 1/ink
- The Child Ephemeral by Terry McGarry; 5/pencil
Down To Sleep by Greg Gifune, Goddess of the Bay Publications; 1/pencil
2000
The Boar by Joe R. Lansdale, Subterranean Press; 6/ink
Cemetery Dance #33
- The Ballyhooly Boy by Graham Masterton; 1-pencil
- Runaway by Christopher Golden; 1/pencil
- The Beach by Tim Lebbon; 1/pencil
- FILS by John Helfers; 1/pencil
Demons, Freaks & Other Abnormalities by Michael Laimo, Delirium Books; cover/ink, 2/ink
Within The Darkness, Golden Eyes by Michael Laimo, Flesh & Blood Press; cover/ink
The Edge #8; cover/ink
Flesh & Blood #6
- Hexagons of White by Kristopher Monroe; 1/ink
Autumn Phantoms by Wendy Rathbone, Flesh & Blood Press; 1/ink
The Day The Decorators Came by Neal Barrett, Jr., Subterranean Press chapbook; cover/ink
Purity by Douglas Clegg, CD Publications Novella #8; 4/pencil
Weird Tales, Fall 2000, #321
- Three-Legged Dog by Ian Watson; 1/ink
2001
Together Again by Michael Cadnum, Subterranean Press chapbook; 4/ink & cover design
Cemetery Dance #34
- The Move by Bentley Little; 1/pencil
- My Victim by John Shirley; 1/pencil
- Pickup On Highway One by Richard Laymon; 1/pencil
- It’s For You by Keith Minnion; 1/pencil
- Got To Kill Them All by Dennis Etchison; 1/pencil
Weird Tales, Spring 2001, #323
- Unicorn Visions by Jennifer Busick; 1/ink
Cemetery Dance #35
- Violets by Al Sarrantonio; 1/pencil
- The Living Lake by Julie Good; 1/pencil (visual idea by Richard Chizmar)
- Whose Puppets Best and Worse Are We? By David B. Silva; 1/pencil
Flesh & Blood #7
- Oliver’s Room by K.R. McGee; 1/ink
Heretics by Greg Gifune, Delirium Books (H/C & TPB), cover/acrylic
Flesh & Blood #8
- The Jane That House Built by Tracy Majka; 1/ink
Tell Me A Tale by Richard Laymon, CD Publications chapbook; 1/ink & cover design
The Edge #9, cover/ink
The Edge #10, cover/ink
Cemetery Dance #36
- Kissing at Shadows by Tim Lebbon; 1/pencil
- Dead Devil in the Freezer by Nancy Holder; 1/pencil
- Catcall by Steve Vernon; 1/pencil
October Dreams, edited by Richard Chizmar & Bob Morrish, CD Publications; 3/ink
Bad News, edited by Richard Laymon, CD Publications; 6/pencil & frontis painting for the Lettered edition/acrylic
Bonnie Winter by Graham Masterton, CD Publications novella #10; cover/acrylic & 4/pencil
The Edge #11; cover/ink
Deadly Nightshade by Jacie Ragan, Flesh & Blood Press; cover/ink
Cemetery Dance #37
- Genetically Predisposed by Elizabeth Engstrom; 1/pencil
- A Door Opens and Closes by Conrad Williams; 1/ink
- Cleaning Compulsion by Gary Raisor; 1/pencil
Darkness Demands by Simon Clark, CD Publications; frontis for the lettered edition/acrylic
Crime Spree, edited by Sandy DeLuca & Trey R. Barker, December Girl Press; cover/acrylic
2002
Weird Tales, Spring 2002, #327
- The Cat, The Ladder and the Man Mo Shrine by Tony Richards; 1/ink
Cemetery Dance #40
- Gran’mama by Gary Raisor; 1/pencil
- The Trespasser by Will Ludwigsen; 1/pencil
Cemetery Dance #41
- Indian Rain by Chris Bevard; 1/pencil
The Edge #12, cover/ink
The Edge #13, cover/ink
The Edge #14, cover/ink
City Slab, Volume 1/Issue 2
- DeFortuna by Brian Hodge; 1/ink
Rage by Steve Gerlach, Wild Roses Productions; cover/acrylic
Flesh & Blood #10; 6/ink
Weird Tales, Winter 2002, #327
- Small Town News by James Van Pelt; 1/ink
The Psycho-Hunter’s Casebook by Kurt Newton, Dark Vespers Publishing; cover/ink
A Halloween Harvest by Paul Melniczek, Flesh & Blood Press; cover/ink
Her Child Arises by Tom Piccirelli, Wild Roses chapbook; cover/pencil
Holy Rollers by J. Newman, Lone Wolf Audio; 3/acrylic
Until She Sleeps by Tim Lebbon, CD Publications; frontis of lettered/acrylic
Cast In Dark Waters by Ed Gorman and Tom Piccirilli, CD Publications novella #11; cover/acrylic, 1/ink & 4/pencil
2003
Cemetery Dance #42
- Smoke by Stanley Wiater; 1/pencil
- Past Tense by Patricia Lee Macomber; 1/pencil
Weird Tales, Spring 2003, #331
- My Name is Nancy Wood by Gene Wolfe; 1/ink
The Horror Express #1
- Within the Walls by John F. Griffiths; 1/pencil
- Dark Eyes by James R. Cain; 1/pencil
- Underbed by Graham Masterton; 1/pencil
By Bizarre Hands by Joe R. Lansdale, Lone Wolf Audio; 4/acrylic
Weird Tales, Summer 2003, #332
- Cover/acrylic
- The Assassin’s Retirement Party by Robert E. Waters; 3/ink
- Shatter by Kelly McCullough; 2/ink
Cemetery Dance #45
- To Ghosts by Jack Slay, Jr.; 1/pencil
- Siafu by Tony Richards; 1/pencil
Nocturnal Echoes by Marc Shemmans, Moonlight Press; cover/acrylic & 6/pencil
Flesh & Blood #13; editorial page, 1/ink
Extremes-5, edited by Brian A. Hopkins, Lone Wolf; 3/acrylic & 20/pencil
Honor System by Jack Ketchum, CD Publications chapbook; 1/ink & cover design
The Edge # 15; cover/ink
The Edge #16; cover/ink
The Edge #17; cover/ink
Orangefield by Al Sarrantonio, CD Publications; 4/pencil
Cemetery Dance #46
- When God Opens a Door by Tim Waggoner; 1/pencil
- A Place in the Country by Tony Richards; 1/pencil
Cemetery Dance #47
- Storm Drain by David J. Schow; 1/pencil
- The Two Deaths by Edo van Belkom; 1/pencil
Hunting Zoe by Steve Gerlach, Wild Roses Productions; cover/acrylic
The Last Motel by Brett McBean, Wild Roses Productions; cover/acrylic
2004
Weird Trails #1, Wildside Press
- New Gods For Old by P.D. Cacek; 1/pencil & 1/ink
H.P. Lovecraft’s Magazine of Horror, Spring 2004, #1
- In The Palace of Repose by Holly Phillips; 1/ink
The Horror Express, Summer 2004, #2
- Hunger Pains by Tim Curran; 1/pencil
- The Suicide Room byRachel Kendall; 1/pencil
- Silent Night by Shawn Hutson; 1/pencil
Flesh & Blood #14
- The Mute People by John Grover; 1/pencil
Cemetery Dance #50
- Bad Weather by Dominick Cancilla; 1/pencil
- Walkers by Norm Partridge; 1/pencil
The Mountains of Madness by Hugh B. Cave, CD Publications; cover/acrylic & 6/ink
The Edge #18; cover/ink
Night Creatures by Seabury Quinn, Ash-Tree Press; cover/acrylic
Children of Epiphany by Frances Oliver, Ash-Tree Press; cover/acrylic
Dark Animus February 2004, #6
- Little Miss Wicked by Tim Curran; 1/pencil
Way Out There by Neal Barrett, Jr., Subterranean Press chapbook; 1/ink & cover design
The Last Motel by Brett McBean, Biting Dog Publications (H/C & TPB); cover/acrylic & 4/pencil
Weeping Mary by John Paul Allen, Biting Dog Publications; 1/ink
Cave of a Thousand Tales by Milt Thomas, Arkham House; cover/acrylic
The Devil of the Marsh by H.B. Marriott Watson, Ash-Tree Press; cover/acrylic
Subterranean Magazine #1
- The Pain Frequency by Kealen Patrick Burke; 1/pencil; accepted and then rejected by the Publisher
2005
Cemetery Dance #51, cover/acrylic
Cemetery Dance #52
- Home Security by Tim Waggoner; 1/pencil
- How Far We Fall From Grace by Michelle Scalise; 1/pencil
Cemetery Dance #53
- Dance of the Blue Lady by Gene O’Neill; 1/pencil
Tinder Box Blues by Akela Cooper, Biting Dog Publications; 1/ink
Hard Night by Bram Eisenthal, Biting Dog Publications; 1/ink
Socially Awkward Moments With An Aspiring Lunatic by Jeff Strand, Biting Dog Publications; 1/ink
Where’s Bobo?/Glory Hole by Ray Garton, CD Publications chapbook; 1/ink, 2/pencil and cover design
Hallow’s Eve by Al Sarrantonio, CD Publications; 4/pencil
The Pumpkin Boy by Al Sarrantonio, Endeavor Press; 6/pencil
The Watcher By The Threshold by John Buchan, Ash-Tree Press; cover/acrylic
2006
Weird Tales, Winter 2006
- Set by Charles L. Harness; 1/pencil
Cemetery Dance #54
- Still Life With Shattered Glass by Loren Rhoads; 1/pencil
The Hell Book by Jason Van Hollander, White Noise Press; 2/ink; interior graphics/digital
Weird Tales, March-April 2006 (#339)
- The Waiters by Tony Richards; 1/pencil
- Venice-Rome-Direttissima by Charles L. Harness, 1/ink
- The Flight of the Angel by Cherith Baldry; 1/pencil
The Passion Play and Other Ghost Stories by Antony Oldknow, Ash-Tree Press; cover/pencil
The Baby by Al Sarrantonio, CD Publications Signature Series #4; wrap-around cover/acrylic; 6/pencil; 30/ink
Ape's Face by Marion Fox, Ash-Tree Press; cover/ink
Weird Tales, July-August 2006 (#341)
- Blackwater Ghosts by Terry Sofian; 2/pencil
- Fourth Avenue Interlude by Richard Lupoff; 1/ink - withdrawn at author's direction
Cemetery Dance #55
- Tested by Lisa Morton; 1/pencil
- Help Yourself by Michael A. Arnzen & Mark McLaughlin; 1/pencil
Sinister Purposes by Gary Raisor, CD Publications; cover/acrylic & ink; frontis for lettered edition/acrylic & ink
Cemetery Dance #56
- The Delilah Party by David Nickle; 1/pencil
The Church of Dead Languages by James Newman and Jason Brannon; White Noise Press; cover/ink; interior graphics/digital
Cemetery Dance #57
- It Rips by Michael McBride; 1/watercolor
Werewolf Porno/Sex Potion #147 - Funny Stories of Scary Sex by Jeff Strand; White Noise Press; 2-Covers/pencil & digital effects; 1/pencil.
The Woman In Black by M.Y. Halidom, Ash-Tree Press; cover/ink & digital
2007
Loveless / Murder Was My Alibi by Arthur Darknell; Lonely Road Books; 18/pencil 7 X 10-1/2"
The Wicked by James Newman; Necessary Evil Press; cover/acrylic; 5/pencil; 5/pencil-digital; 40/ink remarques
Graven Image by Ray Garton; CD Publications; 6/pencil, chalk & ink
The Last Stand of the Great Texas Packrat by Steve Vernon; White Noise Press; Cover/ink; 1/ink; 1/pencil
Midlisters / Disposal / Monkey Love by Kealan Patrick Burke / Jeff Strand / John Paul Allen; Biting Dog Publications; 1-cover/acrylic & ink & digital effects; 16/pencil; 3/ink & watercolor
Kaddish by Whitley Strieber; Dark Delicacies; CD Publications; 1/pencil, 7 x 10"
The Attic Express by Alex Hamilton; Ash-Tree Press; cover/pencil, 7 x 10-1/2"
Smiling Faces Sometimes by Gary A. Braunbeck; White Noise Press; Cover/ink & watercolor; 1/ink, 10 x 7"; 1/pencil, 4 x 6"
Brazen Bull by Elizabeth Massie; White Noise Press; Cover/wood block & Digital; 2/pencil, 10 x 7"
Moonbane by Al Sarrantonio; CD Publications; 4/pencil & watercolor, 8 x 10"; 1/ink, 4 x 6"
Invisible Fences by Norman Prentiss; CD Publications; 4/pencil, 7 x 10-1/2"; 1-ink, 11 x 7", & 1/ink-spot illustration
Vampyrrhic by Simon Clark; CD Publications; 1 frontispiece/watercolor, 8-1/2 x 11-1/2"
Vampyrrhic Rites by Simon Clark; CD Publications; 1 frontispiece/acrylic, 8-1/2 x 11-1/2"
Dark Masques, CD Publications; 1 frontispiece/watercolor, 8-1/2 x 11-1/2"
Dark Tower Concordance, CD Publications; 1 frontispiece/acrylic, 8-1/2 x 11-1/2"
Serpent Girl by Ray Garton; CD Publications; 1 frontispiece/acrylic, 8-1/2 x 11-1/2"
Afterlife by Douglas Clegg; CD Publications; 1 frontispiece/acrylic, 8-1/2 x 11-1/2"
The Lost by Sarah Langan; CD Publications; cover/pencil & digital, 5-1/2 x 8-1/2" and chapbook design
Tanglewood by Ronald Kelly; CD Publications; cover/pencil & digital, 5-1/2 x 8-1/2" and chapbook design
Killing Stages by Brian Keene; CD Publications; cover/pencil & digital, 5-1/2 x 8-1/2" and chapbook design
2008
Frankenstein by Mary Shelley; Full Moon Press; cover and frontispiece/acrylic, 8-1/2 x 11-1/2"
Bone Harvest by James A. Moore, CD Publications; cover/pencil & digital, 5-1/2 x 8-1/2" and chapbook design
Graven Image by Ray Garton; CD Publications; frontispiece/acrylic, 8-1/2 x 11-1/2"
Sides by Peter Straub; CD Publications; frontispiece/acrylic, 8-1/2 x 11-1/2"
Shades by Brian Keene; CD Publications; frontispiece/watercolor, 8-1/2 x 11-1/2"
Pixeldated by A.R. Morlan; Space & Time #103; 1/pencil & digital, 5 x 8"
Seldom Seen In August by Kealan Patrick Burke; White Noise Press; cover and 2 interiors, pencil and ink and chapbook design
Kill Whitey by Brian Keene; CD Publications; endpapers/pencil, 9 x 12"
Moonbane by Al Sarrantonio; CD Publications; endpapers/pencil, 9 x 12"
Monsters by Stewart O'Nan; Lonely Road Books; cover, inside cover, signature sheet, 4 interior illustrations (all pencil), and chapbook design
The Most Interesting Prospect by Arthur Darknell; Lonely Road Books; cover, inside cover, signature sheet, 2 interior illustrations (all pencil) and chapbook design
Coffin Nails by John L. Probert; Ash-Tree Books, cover illustration/pencil, 8-1/2 x 10-1/2"
Fallen by David G. Barnett; Necro Publications; interior illustration/watercolor, 8-1/2 x 12"
Halloween Poems edited by Al Sarrantonio; CD Publications; 8/pencil interior illustrations, 8-3/4 x 11"
Halves by Brian Keene; White Noise Press; 1/pencil, 8/ink interior illustrations
The Map of Moments by Christopher Golden and Tim Lebbon; CD Publications; cover illustration/ink, 4 x 7", and chapbook design
Engelbrecht Again! by Rhys Hughes, Dead Letter Press; cover stamp and frontispiece/ink & pencil, 6 x 6" & 8-1/2 x 11-3/4", respectively
Pumpkins by Al Sarrantonio; CD Publications; "cover" illustration for e-book/pencil, 8-1/2 x 11-3/4"
2009
The Corpse King by Tim Curran; CD Publications; 4 interiors, 1 signature sheet spot, and endpaper illustrations; ink and pencil; various.
4 Stories; CD Publications; Cover illustration and chapbook design; ink
The Cage by Brian Keene; CD Publications; 4 interiors, 7 x 10-1/2", signature sheet spot and endpapers, all pencil.
Monsters by Stewart O'Nan; CD Magazine #61; 2-page illustration, pencil; 16-3/4 x 6-3/4".
Dead Image by David Morrell, CD Magazine #62; 2-page illustration, pencil; 10-1/4 x 10".
The Devil's Yo-Yo by Elizabeth Massie, CD Magazine #63; 2-page illustration, pencil; 16-3/4 x 6-3/4".
We by Bentley Little, CD Magazine #64; 2-page illustration, pencil; 16-3/4 x 6-3/4".
Deathbed by Brian Knight, CD Magazine #64; 1 page illustration,pencil; 8-3/4 x 10-3/4"
All Soul's Day by Al Sarrantonio; The Horror Drive-In; pencil and oil pastel, 8-1/4 x 11-1/2"
Daddy's Little Girl by Ray Garton; CD Publications chapbook cover and interior spot illustrations, layout and design; pencil, 7 x 9-1/2"
2010
Saint Bronach's Shrift by Graham Masterton, CD Magazine #65; 2 page illustration, ink and pencil; 10-3/4 x 10-3/4".
The Girl on the Glider by Brian Keene, CD Publications; cover painting, watercolor; 3 interiors, signature sheet spot and endpapers, pencil on coquille board.
Jungle - Book 1: Concrete Jungle by Brett McBean, Tasmaniac Publications; 4 interiors, signature sheet spot and lotsa remarques. I am also signed up for Books 2 and 3.
The Exorcist / Legion by William Peter Blatty, CD Publications; 10 interiors, pencil.
Pieces of Midnight by Gary McMahon, Ash-Tree Press; cover, pencil - with some Photoshop additions by Jason Van Hollander.
PlayTime Nonprofit; 4 web site illustrations, watercolor & ink.
Chart of Darkness by Kevin Quigley; chapbook, CD Publications; layout and design.
Ink in the Veins, Volume 1 by Kevin Quigley; chapbook, CD Publications; layout and design.
Ink in the Veins, Volume 2 by Kevin Quigley; chapbook, CD Publications; cover illustration, pencil; layout and design.
Bone Marrow Stew, by Tim Curran, Tasmaniac Publications; wrap-around cover painting, acrylic polymer; foil cover embossing design, ink; color signature sheet spot illustration, watercolor; 10 interior illustrations, pencil.
Tales Too Extreme For Cemetery Dance, chapbook, CD Publications; layout and design.
Blood Splattered & Politically Incorrect, chapbook, CD Publications; interior graphic element, layout and design.
2011
It's For You by Keith Minnion, White Noise Press; cover, acrylic polymer on board, 8-3/4 x 12"; 16 interior illustrations, pencil on bristol and coquille board, 6 x 10".
The Exorcist/Legion by William Peter Blatty, CD Publications; original remarque illustrations drawn on the title pages of approximately 24 P/C editions; pencil.
Drawn Into Darkness by Kevin Quigley, chapbook, CD Publications; interior graphic elements, layout and design.
Island Funeral by Keith Minnion, chapbook, CD Publications; interor graphic elements, layout and design.
Neighbourhood Jungle by Brett McBean, Tasmaniac Publications; web thumbnail; 2 signature sheet spots; endpapers; 4 interior illustrations; watercolor, pencil and digital.
2012
Horror Drive-in Presents: An All-night Short Story Marathon edited by Mark Sieber, chapbook, CD Publications; interor graphic elements, layout and interior design.
Suburban Jungle by Brett McBean, Tasmaniac Publications; 2 signature sheet spots; endpapers; 4 interior illustrations; section break spot; watercolor, pencil, ink and digital.
Graveworm by Tim Curran, Thunderstorm Books; 2-panel Cover & Spine; acrylic polymer and ink.
Cemetery Wine by Tim Curran, Tasmaniac Publications; signature sheet, endpapers, ten interior b/w illustrations, cover embossing drawing, and full color wrap-around cover.
2013
The Girl on the Glider by Brian Keene, e-book, cover image layout and design.
The Sins of the Fathers by J.F. Gonzalez, Thunderstorm Books; full color cover; acrylic polymer and ink.
After the Burn by Ronald Kelly, Bad Moon Books; full color cover; acrylic polymer and ink.
Undertaker's Moon by Ronald Kelly, Bad Moon Books; full color cover; acrylic polymer and ink.
Fear by Ronald Kelly, Bad Moon Books; full color cover; acrylic polymer and ink.